Her eyes have grown darker; her mouth is stern. To Rodney, who is watching her anxiously, she seems positively transformed. What a terrible power lies within her slight frame to feel both good and evil! What sad days may rest in store for this girl, whose face can whiten at a passing grievance, and whose hands can tremble at a woe in which only a dependant is concerned! Both sorrow and joy must be to her as giants, strong to raise or lower her to highest elevations or lowest depths.
Money Coming, "It is not a bad name in Ireland. There are very good people of that name: the Vincent Scullys,—everybody has heard of them," says Violet, gently. But her friend will not consent to believe anything that may soften the thought of Mona. The girl has entrapped her son, has basely captured him and made him her own beyond redemption; and what words can be bad enough to convey her hatred of the woman who has done this deed?
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Money Coming
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Money Coming And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity..
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